VP9 Premiere Pro

VP9 In Premiere Pro

We will deal with all the troubleshooting related to the handling of the VP9 codec in Premiere Pro. This is a problem for producers, mostly YouTubers, who want to export footage produced and rendered there.

Go through the table of contents to discover where your particular problem is discussed.

In my Adobe PrePremiere Pro review I have not discussed codecs or exports, so now is the right moment to do it.

Premiere Pro and VP9

I recently came across the VP9 codec and its compatibility with Adobe Premiere Pro. In my research, I found that importing and editing VP9 videos in Premiere Pro can be a little tricky. However, with the right plugins and tools, I believe it is possible to work with the VP9 codec in Premiere Pro.

Premiere Pro, part of Adobe’s Creative Cloud suite, doesn’t natively support the WebM format, which includes the VP9 codec. Instead, Premiere Pro works best with formats such as H.264, Apple ProRes, and Avid DNxHD. This can be a challenge if I want to import and edit VP9 videos directly in Premiere Pro.

However, there are some solutions to help me work with VP9 videos in Premiere Pro. One option is to use a plugin called FNord, which enables support for the WebM format, including the VP9 codec, allowing me to import and edit these videos.

Another option I found is to convert the VP9 video to a format supported by Premiere Pro, such as H.264 or Apple ProRes. I can use conversion tools like FFmpeg or HandBrake for this purpose, making it easier to import and edit the video in Premiere Pro.

If I want to export my edited video in the VP9 format, I can use Adobe Media Encoder. Adobe Media Encoder is a powerful encoding tool included with the Creative Cloud suite, allowing me to convert my videos to various formats, including WebM with the VP9 codec.

To summarize my findings, while Premiere Pro doesn’t natively support VP9 codec, I can still work with VP9 videos using plugins like FNord or converting the videos to a compatible format. By doing so, I can effectively import, edit, and export VP9 videos using Adobe Premiere Pro and Adobe Media Encoder.

Below is a table summarizing my findings:

Premiere Pro SupportNative support for H.264, Apple ProRes, Avid DNxHD; No direct support for WebM and VP9 codec
Importing VP9Use the FNord plugin or convert VP9 videos to a supported format
Editing VP9Edit VP9 videos with the help of the FNord plugin or after converting them
Exporting VP9Use Adobe Media Encoder to export your edited project in the WebM format with the VP9 codec

By following these steps, I can confidently work with VP9 videos in my Premiere Pro projects.

Render Videos With The VP9 Codec in Premiere Pro For YouTube

I would like to share how to render videos with the VP9 codec in Premiere Pro specifically for YouTube. Using the VP9 codec can result in better video compression and efficiency while retaining high quality.

The first step is to import and edit the footage in Premiere Pro as usual. Once the editing is complete, it’s time to set up the export settings. To get started, go to ‘File’ > ‘Export’ > ‘Media’ (or press Ctrl/Cmd + M).

In the export settings dialog, under the ‘Format’ section, choose ‘H.264’ as the format. Here, it’s essential to select a preset that targets a 1440p or 4K resolution. These higher resolutions are necessary because YouTube enables the VP9 codec for such videos.

The following table summarizes the suggested settings for exporting your video:

Width & Height2560×1440 or 3840×2160
Frame RateMatch Source
Bitrate EncodingVBR, 2 Pass
Target Bitrate20-60 Mbps

After setting up the export settings, click on the ‘Output Name’ to choose the destination for the exported file, and then click ‘Export.’ Premiere Pro will then render the video using the specified settings.

Once the export is completed and the video file has been generated, upload it to YouTube. After YouTube processes the video, it will display the VP9 codec with improved video quality. Remember, using the VP9 codec is especially beneficial for users who are not part of the monetization program or smaller creators who wish to provide a better viewing experience to their audience.

By following these steps, I can efficiently render videos with the VP9 codec in Premiere Pro and ultimately improve the overall quality of my YouTube content.

How To Export VP9 Premiere Pro

I found out that, unfortunately, Adobe Premiere Pro does not directly support exporting videos with the VP9 codec. However, there is a workaround to achieve this by utilizing a separate encoding tool prepared specifically for this purpose Shutter Encoder.

First, I would export my video project from Premiere Pro using the H.264 or another high-quality codec to ensure minimal quality loss during the conversion process. To do this, I just follow the standard export process in Premiere Pro. Then, I would download and install Shutter Encoder, a free and versatile video conversion tool.

Once Shutter Encoder is installed, I simply open the application and follow these steps to convert the exported video into the VP9 format:

  1. Step 1: Click on the gray “+” button on the top-left corner of the Shutter Encoder window to browse and select the H.264 video file that I previously exported from Premiere Pro.
  2. Step 2: Click on the “Function” dropdown menu near the top of the Shutter Encoder window and select the “WebM (VP9)” option.
  3. Step 3: Customize the encoding settings according to my needs. For example, I can adjust the bitrate or choose the desired resolution.
  4. Step 4: Click on the blue “Start function” button at the bottom of the window to initiate the conversion process.

After the conversion process is complete, I will have a WebM file with the VP9 codec that I can upload to YouTube or use for other purposes.

It’s important to note that this process may require some extra work compared to directly exporting with the VP9 codec, but it ensures compatibility with both Adobe Premiere Pro and the desired format. Overall, by following these steps, I can efficiently achieve the desired output in the VP9 codec using Adobe Premiere Pro and Shutter Encoder.

How To Get VP9 Codec

I recently learned about the advantages of using the VP9 codec for video rendering, and I wanted to share my experience on getting the VP9 codec on Premiere Pro. VP9 is known for its better compression efficiency compared to other codecs like H.264, resulting in higher video quality at lower bit rates.

One way to get the VP9 codec for Premiere Pro is by using third-party plugins. WebM is a popular option that allows you to export WebM files with VP9 codec directly from Premiere Pro. To start using it, you’ll need to download and install the WebM plugin for Adobe Premiere Pro. Here are the steps to follow:

  1. Download the WebM plugin: Visit the official WebM plugin website and download the plugin for your operating system (Windows or macOS).
  2. Install the WebM plugin: Run the installer and follow the instructions carefully. The plugin should automatically integrate with Premiere Pro.
  3. Restart Premiere Pro: Close and relaunch Premiere Pro for the changes to take effect.

After installing the WebM plugin, you can start using the VP9 codec for your video exports. To do this, follow these steps:

  1. Open your project in Premiere Pro and go to File > Export > Media.
  2. In the Export Settings window, set the Format to WebM.
  3. Then, under the Video tab, select VP9 as the Video Codec.

And that’s it! Your video will now be exported using the VP9 codec. Don’t forget to adjust other video settings according to your preference and project requirements.

In conclusion, getting the VP9 codec for Premiere Pro is very straightforward with the WebM plugin. It’s a powerful codec that can enhance your video quality while keeping the file size manageable. By following these steps, you’ll be able to enjoy the benefits of the VP9 codec, ensuring top-notch videos for your viewers.

The VP9 Codec

I recently came across the VP9 codec, and it piqued my interest. From what I’ve learned, it’s a popular video codec developed by Google that is often used on YouTube. The codec offers high-quality video compression and is designed to provide better overall performance compared to other compression formats.

In my experience, using the VP9 codec for editing videos in Premiere Pro can be a bit tricky. It is not supported natively by the software, but there is a workaround to import VP9 files into Premiere Pro. The FNord WebM plugin can be used to enable support for VP9 and other WebM formats in Premiere Pro. This enables me to manage videos that use this particular codec and makes it easier to work with them during the editing process.

I’ve noticed that many YouTubers prefer to use the VP9 codec when uploading their videos. It provides a higher level of compression, which allows for faster uploads and a smoother streaming experience for their viewers. This is a significant advantage, considering the vast amount of content published on YouTube and the demand for quick accessibility.

When it comes to rendering and exporting videos efficiently with the VP9 codec, I discovered that it takes some time to find the right settings in Premiere Pro. Luckily, there are tutorials available that provide valuable information on how to configure the export settings for optimal performance.

In conclusion, working with the VP9 codec in Premiere Pro may have its challenges, but the benefits offered by this video compression format make it a popular choice for video creators and editors. With the right tools, it’s possible to take advantage of the high-quality video compression that the VP9 codec provides and enhance the overall editing experience.

AV1 vs VP9 For YouTube

Both AV1 and VP9 are video codecs that have gained popularity for their improved compression rates and quality when compared to older codecs such as H.264. In the context of YouTube, these codecs play a crucial role in delivering high-quality video streaming while minimizing data usage and buffering times.

AV1 is a newer codec that was designed as a successor to VP9 and offers even better compression without sacrificing quality. According to a study, AV1 provides 28.1% better compression compared to H.265 and a 27.3% improvement over VP9. This makes AV1 particularly attractive for video platforms like YouTube, as they can deliver better quality video with less data.

While AV1 is a more efficient codec, there are some drawbacks to consider. One of the main challenges with AV1 is its limited compatibility with hardware. A Reddit discussion states that AV1 may not be accelerated on older graphics cards or CPUs, which could lead to increased CPU usage and battery consumption when watching YouTube videos encoded with AV1. On the other hand, VP9 has better hardware support and may deliver a more optimized viewing experience on older devices.

It’s worth mentioning that content creators using Adobe Premiere Pro may also experience some differences in quality when exporting videos in VP9 format compared to other codecs. One example shared in an Adobe Support Community discussion reveals that fast animations may appear worse in VP9 than with the AVC codec when played back in HD1080 on YouTube.

Ultimately, the choice between AV1 and VP9 for YouTube largely depends on the user’s hardware and specific requirements. AV1 is an excellent option for those seeking the best possible video quality at a reduced file size, while VP9 offers better compatibility with a wider range of devices. Both codecs continue to evolve, and their importance in the future of online video streaming cannot be understated.

VP9 vs AVC

As a video editor, I always strive to deliver the best possible quality for my projects. In this regard, the decision to choose between VP9 and AVC codecs can be crucial. Let me share the insights I have gathered about these two codecs in relation to Premiere Pro.

VP9 is an open and royalty-free video coding format developed by Google. It is known for providing better video quality and compression efficiency compared to AVC (Advanced Video Coding), also known as H.264, which is widely used as a standard codec for video compression. In fact, a study by Bitmovin has demonstrated the advantages of VP9 over AVC in terms of compression performance and video quality.

When exporting Premiere Pro projects, the choice between VP9 and AVC can impact the final output. One of the main advantages of using VP9 is its improved video quality at lower bitrates. This enables me to deliver high-quality content without having a huge impact on file size or bandwidth consumption. On the other hand, AVC is more widely supported across various devices and platforms, making it a safer choice for broader compatibility.

CodecVideo QualityCompression EfficiencyPlatform Support

When uploading videos to YouTube, VP9 is often preferred due to its superior video quality. As mentioned by users on Reddit, VP9 delivers better quality than AVC, especially for users with fast internet connections and powerful devices. YouTube also tends to automatically use VP9 for higher resolutions (1440p and 4K), but it might not be the case for every video, depending on views and other factors.

In conclusion, I have found that while VP9 offers better video quality and compression efficiency, it might be limited in terms of platform support compared to AVC. My decision to use VP9 or AVC in my Premiere Pro projects would depend on the specific requirements of each project, its target audience, and the platforms on which the video will be shared.

VP9 Recommended Settings

When working with the VP9 codec in Premiere Pro, it’s essential to choose the proper settings to achieve high-quality results. Using VP9 can help reduce file sizes, improve video quality, and improve playback across a variety of devices. In this section, I’ll cover some key settings to consider when using VP9 in Premiere Pro.

First, let’s address the export settings for VP9 in Premiere Pro. While the software doesn’t have a built-in option for exporting in VP9 format, you can use an external encoder like FFmpeg to render your videos in VP9.

When using FFmpeg, it’s essential to enable -c:v libvpx-vp9 flag and choose the appropriate bitrate – -b:v. A common recommendation is using a bitrate of 1000K. Combine this with two-pass encoding for optimal results, using -pass 1 and -pass 2 flags.

Here’s a table summarizing the recommended settings for VP9 encoding using FFmpeg:

Video Codeclibvpx-vp9
Passes2 (Two-pass)
Threads8 (adjust if needed)
Speed4 (on first pass)
Tile Columns6
Frame Parallel1

I also recommend using some additional settings, such as -speed 4 during the first pass to improve the encoding speed. Additionally, enable tiling with -tile-columns 6 and frame parallelism using -frame-parallel 1 for even better performance.

Remember, these are general recommendations for encoding your videos using the VP9 codec with FFmpeg as a Premiere Pro user. Depending on your specific requirements and the type of content you’re working with, you may need to fine-tune these settings. Regardless, following these guidelines should yield solid results and help you make the most of the VP9 codec in Premiere Pro.

Importing VP9 Files in Premiere Pro

I’ve come across a solution to import VP9 files into Premiere Pro effectively. First, I highly recommend transcoding VP9 files using an efficient encoder like the Shutter Encoder to convert VP9 into a more edit-friendly format. For instance, you may want to convert your video files to ProRes or h.264 format, both of which are widely used and compatible with Premiere Pro1.

To import the transcoded files into Premiere Pro, follow these simple steps:

  1. Launch Adobe Premiere Pro and create a new project or open an existing one.
  2. Go to the File menu, and select Import.
  3. Locate your converted video files on your computer, select them, and click Open.

Now your VP9 files, converted into a more compatible format, should be ready for editing within Premiere Pro.

Keep in mind that while we can successfully import the videos for editing, the VP9 codec may not be available for rendering the output directly in Premiere Pro. As such, when uploading videos to platforms like YouTube, the codec might show up as avc12.

However, if you decide to stick with the VP9 codec, you can render your videos using the VP9 codec with a third-party application, such as FFmpeg. Then, you can import the rendered videos to Adobe Premiere Pro for further editing.

In summary, importing VP9 files to Premiere Pro typically involves transcoding the video files into a more edit-friendly format such as ProRes or h.264, then importing them into Premiere Pro for smoother editing.


  1. Shutter Encoder
  2. Adobe Community – How can I render my videos with the VP9 codec?

Support for VP9 Codec in Premiere Pro

In recent years, the VP9 codec has gained popularity due to its improved video compression capabilities. As a video editor, it’s essential to understand how Premiere Pro handles this codec and the various settings available for export.

Firstly, it is important to note that VP9 is not directly supported by Premiere Pro for rendering videos; instead, the software uses codecs like H.264/AVC1. However, there are some workarounds to incorporate the VP9 codec into your workflow. For example, you can use applications like Shutter Encoder to transcode your VP9 files into more edit-friendly formats like ProRes or H.264/MP4.

Though you might not be able to render videos directly using the VP9 codec, it’s possible to optimize your export settings in Premiere Pro to ensure better compatibility with YouTube’s VP9 processing. Keep in mind that YouTube generally uses VP9 for higher resolutions and frame rates, like 1080p60, 1440p, or 4K source.

When exporting your project to an MP4 format for YouTube, I recommend selecting H.264 as the format and tweaking settings, such as increasing the resolution, ensuring 60fps frame rate or higher, and selecting a high bitrate. These adjustments can increase the likelihood of YouTube processing your video with the VP9 codec after uploading.

While the direct support for VP9 in Premiere Pro is currently limited, by utilizing third-party applications and adjusting your export settings, you can still achieve quality results that align with YouTube’s preferred codec strategy.

Resolution Support in VP9

VP9 is a versatile, open-source video codec that offers a wide range of resolutions and support for high-quality video playback. As a more efficient alternative to the H.264 codec, VP9 is often used by content creators and video editors as a means to deliver high-quality videos with smaller file sizes. In this section, I will discuss the various resolutions supported by VP9 and the benefits of using this codec in Adobe Premiere Pro.

VP9 supports resolutions from as low as 360p up to 8K UHD, catering to a wide variety of platforms and devices. This flexibility enables me to create videos that look great on any screen size, while keeping the file size manageable. Here’s a quick overview of some common resolutions supported by VP9:

720p HD1280×720
1080p Full HD1920×1080
1440p QHD2560×1440
4K UHD3840×2160
8K UHD7680×4320

When working with Adobe Premiere Pro, I can take advantage of the efficient compression offered by VP9, allowing me to export my videos at a higher quality while maintaining acceptable file sizes. As mentioned in the Adobe Support Community, to achieve this, I need to render my videos with the desired resolution and export them as an MP4 file format. When uploading videos to platforms like YouTube, the codec should automatically be recognized and processed as VP9.

It’s important to note that while VP9 offers excellent image quality, the encoding times can be longer compared to other codecs like H.264. However, using a powerful graphics card and optimizing the encoding settings in Adobe Premiere Pro can help me to strike the right balance between encoding speed and video quality.

Overall, using VP9 in Adobe Premiere Pro is a great way to ensure that my videos are rendered efficiently and with exceptional image quality, regardless of the platform or device they are viewed on. As a first person singular writer, I appreciate the diverse resolution support that VP9 offers, enabling me to create content in a wide array of formats and catering to various audience preferences.

Troubleshooting Common Issues

As someone who frequently uses Premiere Pro, I’ve encountered my fair share of issues with the VP9 codec. In this section, I’ll share some common issues and their solutions to help make your editing experience smoother.

Issue: Unable to import VP9 files One common issue is that Premiere Pro might not support importing VP9 files directly. To fix this problem, I suggest transcoding the VP9 files to an editable format such as ProRes or H.264/MP4 before importing them into Premiere Pro. You can use a tool like Shutter Encoder for this task, which provides multiple output format options.

Issue: Choppy playback and poor performance Another issue that I’ve experienced is choppy playback and poor performance when working with VP9 files in Premiere Pro. One possible solution is to clear and optimize the Media Cache and Media Cache Database. This can help improve playback and editing performance by eliminating any accumulated cache data that might be causing these issues.

Issue: Exporting with VP9 codec Lastly, if you’re looking to export your project using the VP9 codec, unfortunately, Premiere Pro doesn’t have native support for this codec in its export settings. However, you can use applications like Adobe Media Encoder to perform the export with the desired codecs and settings.

In conclusion, while working with the VP9 codec in Premiere Pro can be challenging, I’ve found that implementing these solutions helps significantly improve my editing experience. I hope these tips will help you overcome any challenges you may face working with the VP9 codec in Premiere Pro.

VP9 vs. Other Codecs

When it comes to video codecs, there are several popular options available for users to choose from. Let’s take a look at VP9 and compare it to some of the other well-known codecs such as H.264, H.265 (HEVC), and AV1.

VP9 is an open-source codec developed by Google with the aim of providing better compression efficiency and video quality while maintaining a relatively low encoding time. One of the main advantages of VP9 is that it offers better compression efficiency than H.264, which means it can deliver higher video quality at lower bit rates. This can be particularly beneficial for streaming services and users with limited bandwidth, as it helps reduce buffering and improve playback performance VP9 vs. H.264.

While VP9 boasts impressive compression efficiency, it is worth noting that it still falls behind H.265 (HEVC) and AV1 in terms of encoding time. In fact, AV1 is the slowest in encoding time and can take more than three times the time required to encode a video, when compared to H.265 AV1 vs. h265 (HEVC) vs. VP9.

Despite the encoding time drawbacks, both H.265 (HEVC) and AV1 bring their own advantages to the table. H.265 is known for its remarkable compression efficiency, making it a popular choice for high-resolution video streaming, while AV1 is a royalty-free codec developed with support from different tech companies, ensuring a more widespread adoption.

Users of Adobe Premiere Pro might be wondering whether the VP9 codec is the right choice for their projects. While I cannot provide a definitive answer for every specific project, it is essential to weigh the pros and cons of each codec. You may consider factors such as encoding time, compression efficiency, overall video quality, and compatibility with your target audience’s devices.

In conclusion, the choice of codec largely depends on your preferences and priorities. While VP9 has its merits, it may not be the best fit for everyone, especially when other codecs like H.264, H.265 (HEVC), and AV1 are also available, each with its strengths and weaknesses. It is essential to carefully evaluate the requirements of your project and choose a codec that delivers the optimal balance between quality, efficiency, and compatibility.

Converting and Editing in VP9

How to Edit VP9 Videos

When it comes to editing VP9 videos, it can be quite challenging as many video editing software like Adobe Premiere Pro may not inherently support the VP9 format. To edit VP9 videos, I would first convert them into a more manageable format, such as MP4. This can be done using various command-line tools, like FFmpeg, or graphical tools like Handbrake.

Once I have converted the VP9 videos to MP4, it is easier to import and edit them in Premiere Pro. I can then make any necessary adjustments, such as trimming, splitting, adding effects, and more.

Converting to and from VP9

As briefly mentioned earlier, one of the best practices to edit VP9 videos effectively is to convert them to and from more widely-supported formats like MP4 before and after editing:

  • To convert from VP9: Use tools like FFmpeg or Handbrake, which can handle multiple formats and easily convert VP9 videos to formats supported by editing software.
  • To convert back to VP9: Once the editing is done, converting the output back to VP9 format may be necessary, depending on the intended platform or usage.
Conversion StepsDescription
1. Install converterDownload and install your preferred conversion tool, such as FFmpeg or Handbrake.
2. Convert to a compatible formatConvert your VP9 files to a format like MP4 before editing.
3. Edit your videoImport the video files into your choice of video editor and make the desired changes.
4. Convert back to VP9 (if required)If you require your edited video output to be in VP9 format, convert the final video accordingly.

Tips for Trimming and Transcoding VP9 Files

When it comes to working with VP9 files, some helpful tips that make trimming and transcoding a smoother process include:

  • Always create a backup: Before making changes, create a copy of your original VP9 files in case of any issues.
  • Choose the appropriate converter: A tool like FFmpeg can be useful for more advanced users, while Handbrake offers a more user-friendly interface for those new to video editing and conversion.
  • Preview your edits: Before finalizing any changes, preview your edits to ensure the proper adjustments were made.
  • Optimal settings: When exporting your edited video, make sure to adjust settings such as resolution and bitrate to achieve the desired video quality.

With these tips in mind, I can successfully work with VP9 videos, even if my preferred video editing software may not inherently support the format.

Is VP9 Better Than H264: Comparison

When comparing VP9 and H264, there are several aspects we need to consider to understand the merits of each codec. To make this comparison clear, let’s take a look at a table highlighting the main differences:

CompressionHigher efficiencyLess efficient
QualityBetter quality at lower bit ratesGood but lower than VP9 at the same bit rate
CompatibilityLimited container compatibilityMore widely supported, used in MP4 containers
AdoptionLess widely adopted than H264More widely adopted

Compression & Quality VP9 offers better compression efficiency than H264, which translates to higher video quality at lower bit rates. This is particularly beneficial for streaming services and users with limited bandwidth, as it helps reduce buffering and improve playback performance.

Compatibility However, when it comes to compatibility, H264 has the edge. VP9 has different container requirements and cannot be used in MP4 containers, unlike H264 which is widely supported and used in MP4 containers. This means that H264 videos are more likely to be compatible with a wider range of devices and software.

Adoption H264 is more widely adopted due to its compatibility advantages. While VP9 does have its benefits, these are only realized if the user’s device or software supports the codec. As a result, the majority of the market continues to rely on H264.

In conclusion, VP9 provides better compression and video quality at lower bit rates compared to H264, but it lacks widespread compatibility and adoption. Depending on your specific use case and requirements, one codec may be more suitable for your needs than the other.

Premiere Pro WebM

As a video editor, I have explored the integration of the VP9 codec in Premiere Pro to achieve high-quality video outputs while keeping file sizes small. This ensures a balance of visually pleasing content that can load quickly on streaming platforms.

VP9 is highly efficient and commonly used for WebM video formats. WebM format is gaining popularity for its compatibility with popular browsers and video platforms like YouTube. To work with WebM files in Premiere Pro, we can use the WebM for Premiere plug-in provided by fnord software.

While using the plug-in, I found that most essential encoding parameters are exposed, providing more control over the video output quality. The plug-in also allows for custom arguments, making it easy to fine-tune the encoding process.

Here’s a feature comparison to help you understand the benefits of using the VP9 codec:

CodecEfficiencyBit DepthColor SpacePlayback Compatibility
VP9High10/12-bit4:4:4Most Browsers, YouTube
AVC1Medium8-bit4:2:0Almost All Devices

As you can see, the VP9 codec offers better efficiency, bit depth, and color space, resulting in higher-quality video outputs. However, the playback compatibility of AVC1 codec is more extensive.

I have a complete Adobe Premiere Pro review where I analyze all the features of this product.

We discuss if Premiere Pro supports MKV files and how to handle MKV files via Encoder. Anyway, we consider that the industry standard is that you convert MKV to MP4 and stick to that container format.

Also, if MOV files are supported and how to override the MOV glitch.

We analyze the situation related to the lack of support inside Adobe Premiere Pro for WebM format files and why Adobe does not support it. While we do not recommend the WebM format at all, I explain how to overcome this issue with the FNord WebM free software. The recommended approach is to go into industry standards and convert WebM to MP4 to use it in Premiere Pro. A bit related to this is the question about how to handle the VP9 codec in Premiere Pro, as it s a problem for YouTubers who want to export video produced and rendered there.

As there is no lifetime license anymore available for the Adobe suite, we responded to the question in the comments´ section about why Adobe Premiere Pro is so expensive, and, in general, why digital video editing software is so expensive.

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